lonnie donegan discography

It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. WebLonnie Donegan's Skiffle Group Backstairs Session A1: Midnight Special A2: New Burying Ground B1: It Takes A Worried Man B2: When The Sun Goes Down: Metronome Denmark: Subscription from $10.83/month Streaming plans Nobody Loves Like An Irishman 2019, Pop - Released by All I Have To Do Is Dream on 15 nov. 2019, Pop - Released by Sanctuary Records on 8 sep. 2014, Country - Released by Black Marlin Records on 29 nov. 2014, Country - Released by Black Sheep Music on 4 jan. 2012, Jazz - Released by Hallmark on 5 mrt. WebLonnie Donegan Albums: songs, discography, biography, and listening guide - Rate Your Music Lonnie Donegan Born 29 April 1931, Glasgow, Glasgow City, United Kingdom Died c.November, 1957 Pinewood Film Studios, Bucks. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. He began playing guitar around London, and going to the small jazz clubs springing up around the city. Donegan was suddenly a star, with a public that wanted more music from him. Cet lment a bien t ajout / retir de vos favoris. Donegan was only paid a few pounds for the recording, and received no royalties. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. Walton-on-Thames Film Studios, Surrey (J.Currie, gtr), August 28, 1957 British Legion Hall, Plymouth, Devon. Having replaced Bishop in 1956, Wright is playing most of the lead guitar on those tracks, on the accompanying single sides, and on a pair of previously unissued tracks: the Pye re-recording of "Rock Island Line" and the slow blues "I've Got Rocks in My Bed," where he gets to play some Scrapper Blackwell-style licks. Tops at Loving You 6. Acts who have peaked at every position in the Top 10, LONNIE DONEGAN PRESENTS KENNY BALL AND HIS JAZZMEN, Eurovision 2023: Who is the UK's 2023 entry? He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. It seemed to fit, and it caught on; the Ken Colyer Jazzmen became almost as popular for Donegan's between-set skiffle songs as they were for their Dixieland music. He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. 28, 1957) Note: The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. Dick Bishop - Guitars, Vocals But Wright's best single moment comes in his fiery but all too brief electric guitar solo during "Cumberland Gap." Nobody's Child With a washboard, a tea-chest bass and a cheap Spanish guitar, Donegan entertained audiences with folk and blues songs by artists such as Leadbelly and Woody Guthrie. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. Donegan was born as Anthony James Donegan in Glasgow, Scotland, the son of a professional violinist. But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. It was country & western and blues records, especially those by Frank Crumit and Josh White, that really attracted Donegan's interests. It was exceptionally popular among England's teenagers, who accounted for most of its sales. Jim Bray - Banjo, Bass 1954 The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, Two years later it became a hit in England, and it was re-released in the US, where it shot up to #5 on the charts. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. Grand Coulee Dam It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. WebIt was over half a century ago in 1958, as Lonnie Donegan was ruling the charts with Rock Island Line, that Joe joined his first band, the Spacemen Skiffle Group, at the age of 17. Read Full Biography Overview Biography The LP was a hit, securing sales in the hundreds of thousands. Chris Barber - Bass, Vocals The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. He was an actor and composer, known for. Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. Subscription from 12,50/month Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. He moved with his mother to London at an early age, after his parents divorced. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. Apart from the excellent sound, the surprising element of this body of songs is just how bracing it remains almost 50 years after it was recorded -- the tendency is to dismiss the skiffle boom as an embarrassing fluke, but in fact the level of musicianship achieved by Donegan and company (especially guitarist/singer Dick Bishop) was exceptional, and their feel for the material was a match for that of any white Americans this side of Bob Dylan. Grand Coulee Dam Lonnie Donegan MBE (29 April 1931 3 November 2002) was a British "skiffle" musician, with more than 20 UK Top 30 hits to his name. (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. Donegan had never even held a banjo before but agreed to come to the audition, then bought a banjo and tried to fake his way through the try-out. Aint No More Cane On The Brazos. He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. / Aunt Rhody, I Wanna Go Home (Wreck of the John B.) WebLonnie Donegan Pop - Released by Castle Communications on 1/01/1985 16-Bit CD Quality 44.1 kHz - Stereo Starting at $117.99 My Old Man's A Dustman - The Singles As & Bs 1954 - 1961 Lonnie Donegan Vocal Music (Secular and Sacred) - Released by Jasmine Records on 10/12/2012 16-Bit CD Quality 44.1 kHz - Stereo Starting at $18.99 Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. Thanks in advance. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." WebLonnie Donegan. I'm Alabamy Bound It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. Summarize this article for a 10 years old. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. Donegan was a big fan of Johnson, and took his first name as a tribute to him. The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. Bottle of Wine 3. Gloryland 7. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. (function(){var k='0521688706',d=document,l=d.location,c=d.cookie;function f(n){if(c){var i=c.indexOf(n+'=');if(i>-1){var j=c.indexOf(';',i);return escape(c.substring(i+n.length+1,j<0?c.length:j))}}}var x=f('__utmx'),xx=f('__utmxx'),h=l.hash; Cumberland Gap Chances are that UA in America was lured into distributing this album by Don't You Rock Me Daddy-O, Lonnie Donegan Showcase (Aug. 22/23, 1956) 1 EP (Feb. 20, 1956 Light From The Lighthouse. The name "skiffle" was hung on this music as a way of referring to it on the group's posters. Lonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. Bob Watson - Vocals 1955, Lonnie Donegan - Guitars, Vocals, Banjo He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. He was an actor and composer, known for We Need to Talk About Kevin (2011), Pawn Shop Chronicles (2013) Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. Smith&Co SSCD1172 LD9, April 12, 1953 Hotel Gentofte, Copenhagen, Denmark (Donegan & Barber), Hard Time Blues (KC 9) Storyville unissued CD1, July 13, 1954 Decca Studios, West Hampstead, London, Rock Island Line (DR 19299-1) Decca FJ 10647 CD1, Wabash Cannonball (DR 19306) unissued CD1, September 27, 1954 Abbey Road Studios, London, October 1, 1954 Concert Hall, Aarhus, Denmark, Precious Lord (JJ 48) Storyville unissued, October 9, 1954 University, Copenhagen, Denmark, Precious Lord, Lead Me On (CB 3) Tempo A116, Storyville A45003 CD1, October 10, 1954 Odd Fellow's Palais, Copenhagen, Denmark, Over In The New Burying Ground (JJ 84) Storyville A45005 CD8, Wabash Cannonball (JJ 86) Storyville unissued, October 30, 1954 Royal Festival Hall, London, Bury My Body (DR 20034) Decca FJ 10695 CD8, c.late October/early November, 1954 Elstree Studios, Hertfordshire, November 9, 1954 Abbey Road Studios, London, Take My Hand, Precious Lord Columbia DB3850 CD1, December 13, 1954 "Jazz Club"(? The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. On one occasion they opened for the blues musician Lonnie Johnson at the Royal Festival Hall. The Official Charts guide to Eurovision 2023, Ellie Goulding's new album Higher Than Heaven will arrive two weeks late, Albums coming in 2023: Ed Sheeran, Miley Cyrus, Mimi Webb and more, What Number 1 vindication means for Miley Cyrus and Lana Del Rey's campaigns, Libianca talks People, collaborating with J Hus and Dave and more, Ed Sheeran announces release of acoustic album Subtract, 10 years in the making, Matilda The Musical makes it three weeks at Number 1, Who is Mae Stephens - the 19-year-old behind viral hit If We Ever Broke Up, Official Trending Chart: Pink, Niall, Mae Stephens and more, BRING A LITTLE WATER SYLVIE/DEAD OR ALIVE, DOES YOUR CHEWING GUM LOSE ITS FLAVOUR (ON THE BEDPOST OVERNIGHT). I'm Alabammy Bound The name "skiffle" was hung on this music as a way of referring to it on the group's posters. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. The disc closes with Donegan's arrangement of "Love Is Strange," cut under the direction of Joe Meek (who suggested the clinking bottle percussion) and given a beat that makes it sound more like a calypso number. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. In 1949, he was drafted into the British Army. The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." Discography Lonnie Donegan Follow Artist + Scottish-born singer and guitarist I'm A Ramblin' Man It was exceptionally popular among England's teenagers, who accounted for most of its sales. More concert tours followed, along with a move from Florida to Spain. Mickey Ashman - Bass 1956 They delve into blues, letting Barber have a Dixieland trombone solo on "Frankie and Johnny," invite Dr. John to play some New Orleans on "Goin' Home" and "Good Morning Blues," haul out Jimmie Rodgers ' "Muleskinner Blues" and Leadbelly 's "Goodnight Irene," paying tribute to both country and folk. Les Bennetts - Guitars, Vocals, Bass 1958 He formed his own group, the Tony Donegan Jazz Band, in 1952. For the next six years, Lonnie spent 335 weeks on the Official Singles chart. Jim Currie - Guitars, Vocals 1957 By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. 2021. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. Donegan went on to make a series of popular records with successes including "Cumberland Gap" and, particularly "Does Your Chewing Gum Lose It's Flavour (On The Bedpost Over Night)", his only hit song in the U.S., released on Dot. Gamblin' Man Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. Putting On The Style Donegan's "Gamblin' Man" / "Puttin' On the Style" single was number one on the UK chart in July 1957, when Lennon first met Paul McCartney. (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. Donegan was a pivotal figure in the British Invasion due to his influence in the US in the late 1950s. He also played in Ken Colyer's group. He formed his own group, the Tony Donegan Jazz Band, in 1952. Flavour (On The Bedpost Overnight)? Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. Ace In The Hole unissued LD9. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. His taste in jazz went toward Louis Armstrong and Gene Krupa. WebLONNIE DONEGAN DISCOGRAPHY compiled by Dave Moore c.1951 Tony Donegan Jazz Band. Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. 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